AmyMaidaWadsworth

Call It Like You See It! Exploring Narratives and Point of View By Amy Maida Wadsworth My husband is a football fan. And me? I generally enjoy football because it’s easy to fall asleep to on a Sunday afternoon. Last season, however, piqued my interest. The NFL’s referee union went on strike, and everyone—fans and players alike—complained more than usual about referee calls. My husband explained that inexperienced, scab referees were determining game outcomes with egregious calls. Of course, this makes an author think. A referee’s calls depend entirely on his point of view—his keen senses, what those senses observe, and how he applies his knowledge of the rules. Of course, a single referee is limited. That’s why a bunch of referees consult each other and use consensus to establish truth—or as close to the truth as they can get. What does that have to do with an author? Simple: A narrator’s point of view (POV) determines a story just as clearly as a referee’s point of view

Superheroes and the Villains Who Make Them (In honor of  Salt Lake Comic Con ) By Amy Maida Wadsworth I’ve always related to Spider-Man—not because I’m particularly brilliant or fascinated with arachnids, but because there is a side of me that often feels socially awkward, and it takes a mask (fiction, maybe?) to make me feel like I understand people and have some control over my environment. I also relate with underdogs. In fact, most of my favorite fictional characters are underdogs—the underestimated Katniss Everdeen ( The Hunger Games ), the overlooked Julian Delphiki ( Ender’s Shadow ), and the pushed-aside Connor Lassiter ( Unwind ). Psychoanalyze  that . Superhero stories have stood the test of time because all of the characters are relatable—they represent an accelerated, concentrated version of the everyday good guy. Iron Man is a wealthy playboy who seems cool and collected—but, deep down, he’s scared of vulnerability and loss. Superman wants to save the world—b